Landscape photographers often use fog to help them create wonderful, moody images. You’ve likely seen one of those arresting photographs of a single tree shrouded by fog standing silently in a field. Continue reading Using Fog to Create Surreal River Images
Back in the day when I was working in corporate life I gained quite a bit of experience creating and managing advertising, usually print based. When we designed ads it became second nature for us to constantly think about fundamental concepts like visual depth, dominating elements, and ad balance. The goal was to achieve good eye flow in the ad. Since leaving corporate life I’ve tried to apply what I learned about advertising design to my photography.
Continue reading Improving image eye flow by creating corner exits
One of the most important considerations any photographer makes is determining the compositional lines in the images they create. In this short article I’ll be discussing how various elements can become leading lines and add to the visual flow of your images. Continue reading Creating and Using Leading Lines
This article will no doubt be the shortest one I will ever write about image composition as it contains only one, very simple idea. And, that is the number “7”. If you’re like me and tend to see the world around you as shapes and angles when you have a camera in your hands then this should resonate very strongly with you. Continue reading The Magic of “7” in Composition
Often when we are creating images, especially landscapes, we can get so focused on the main subject that we forget to think about incorporating a foreground element to help add depth and drama to our scene. There are a number of different approaches we can use. In this short article I’ll be illustrating three simple and effective ways you can incorporate foreground elements into your images. The first is something that I like to call a ‘bottom band’ during my landscape seminars. Continue reading Using Foreground Elements in Landscape Photography