There’s been some interesting debate lately about what’s ‘wrong’ with the camera market as people try to understand the rather dramatic decline in unit sales that has been happening over the past 4 or 5 years with volumes down by more than half from their peak. I’ve been letting my old, porous brain muse on this for a bit and have some perspectives to share.
One way to look at this situation is to simply accept that there is nothing fundamentally ‘wrong’ with the camera market at all in terms of sales volumes. From a macro-economic perspective we could view the digital camera market as functioning exactly as every other market has done when a breakthrough technology burst onto its stage. If we look at the history of various product markets the basic rise and fall of market volumes are predictable when they have been impacted by fundamental technological shifts – in the case of cameras it was of seismic proportions going from film to digital. When any kind of ‘game changing’ technology takes hold in any market there are initial and dramatic volume surges as consumers leave their current technology and adopt the new one. That huge upward spike in initial demand then declines quickly as soon as the initial ‘change-over’ market demand for the new technology has been met. Product life-cycle planning is based on these fundamentals.
If we look at CIPA chart that was in the Mayflower report we see that camera sales were trending up at a reasonable rate (albeit with a few bumps along the way) until 1998 and remained reasonably flat when digital cameras were introduced in 1999. We then see a very fast uptake rate of the new technology that resulted in a complete market change over to digital cameras by 2005. This was really driven by the sales of compact digital cameras. This indicates to me that the new technology opened up digital photography to a huge new audience. The market kept growing strongly and reached its peak in 2010 and has been in sharp decline since. It now is only slightly higher than the market was back in 1998. This indicates to me that the pent up demand represented by the ownership of film cameras is completely used up and the camera market is now in a mature state. This type of demand curve is very typical of industries that have been impacted by a ‘break-through’ technology that fundamentally changed the market.
We can look at other markets to see these identical macro-economic impacts in play. Most recently the exact same thing happened with flat screen television sales. As more and more consumers adopted the new technology sales of flat screen TV’s went through the roof. That gave birth to ‘electronic superstores’ as additional distribution was needed to meet surging demand. Now, a decade after the big switch to flat screen televisions began, the switch-over has been completed by most consumers. The result is that the demand for flat screen TVs has plummeted and some manufacturers have either reduced their product offerings or left the market entirely. In essence the TV market transitioned quickly from ‘new high growth’ to ‘mature’. In Canada stores like FutureShop have been mothballed since there is no longer sufficient demand in the high ticket flat screen TV product category to sustain them. So, this phenomenon is nothing new, and is nothing that wasn’t predictable. It’s my view we are witnessing the same thing with digital cameras.
In high growth markets impacted by game-changing technology, companies fight furiously with one another by cranking out new product types and models so they can capture as much of the increasing market volume as they can. When timed correctly this is good business strategy since consumers are excited by the new technology and a lot of purchases are fueled by consumers buying willingly and often. Margins tend to be high under these market conditions and companies can ramp up R&D and bring out streams of new products with a good level of confidence that those R&D investments will be rewarded with good margins in what seems to be a continually growing market. If we look at the CIPA sales curve data we can see strong growth pretty much straight through to 2010. This growth helped to fuel the prolific increase in the number of camera models in the market.
There is a risk of course that if a company does not see the warning signs that the ‘switch-over’ market is peaking then they may make a mistake and keep investing in new products rather than changing from a growth strategy to one based on retrenching around core ‘winner’ products to prepare for the inevitable decline in market sales volume. I think we saw that with Nikon’s timing of the Nikon 1 product line and its introduction in the fall of 2011. The company arrived late to the party as the camera market’s ‘change over’ demand was already softening. The result was a less than stellar market reception and subsequent fire-sale prices to move over-produced units. One could argue of course that the specs of the camera, its value proposition, and marketing were weak and that’s what caused the luke warm market reception. I would agree that those factors had an effect. I would also suggest that if the camera market had still been in a frenzied ‘change over’ growth stage there would have still been plenty of pent up demand to absorb those new Nikon 1 products on a more profitable basis for Nikon. With the camera market starting its sharp decline in 2012 Nikon’s offerings would have been under price pressure right out of the gate.
One way of looking at this is that the number of film cameras in the hands of consumers represented the total ‘pent-up’ demand for the change over to digital cameras. As with any market, as the initial demand to move from old technology to the new replacement technology was increasingly met, overall market demand would naturally slow. There is a tipping point when the replacement of film cameras with digital slows down to the point at which companies serving that market need to retrench to align their operations with the reality of lower ‘mature market’ sales volumes. I think the camera market has already passed that tipping point and there is no going back. It’s my view that the peak market volumes experienced between 2008 and 2011 are never coming back because the pent up demand of film cameras that drove those markets is now gone. The switch from film to digital cameras is basically over.
I don’t see the decline in unit sales in the digital camera market as having anything to do with product complexity. There are plenty of compact, automatic cameras that can meet the needs of consumers who want simplicity. To me we are simply witnessing the classic macro economic demand pattern that is associated with the uptake rate of new technology.
Is the decline in camera sales volumes over? I don’t think so. I believe it will continue to decline, albeit at a much slower rate for many years to come. Why? The under 30 crowd is just not interested in traditional cameras in the same way that we ‘old geezers’ are. Many of these consumers don’t even think about the existence of a ‘camera market’ at all. Their lives revolve around social networking, checking the FaceBook status of friends and living their lives centred around digital communications.
I may be viewed as a bit of a lunatic for saying this but I don’t think smartphones compete directly in the camera market at all. I think they represent a completely different market of ‘digital communication devices’ which just happen to include digital imaging capability. The evidence of this stems from the fundamental motivation that consumers have when they make a purchase. When you or I buy a camera we do so with the specific and primary intent of taking pictures. I would find it hard to believe that anyone buying a smartphone does so with that same, primary intent. I think they buy a smartphone because they want to connect to the world around them and communicate digitally. This is a very different motivation and need than that of a camera buyer, and as such they represent a different market. That’s not to say that a lot of people that bought compact digital cameras in the past haven’t ditched them and now take all of the images they need with their phones. They have and do. What I am suggesting is that their initial need for a compact digital camera to fulfill their imaging requirements has been supplanted by a need for the much more powerful and broad-based digital communication capabilities of their smartphones. I believe that unless companies like Canon, Nikon, Olympus and others re-define themselves as manufacturers of ‘digital communication devices’ rather than camera companies or digital imaging companies they will never develop the integrated digital communication devices that those consumers want and need. This leads me to think that smartphone owners do not represent a meaningful marketing target for camera companies.
All these young consumers want, or need, are images that are of high enough quality to look good on their FaceBook pages and other social media. They live in ‘now snapshots’ that are quickly uploaded, then deleted from their social networking sites and updated with other more recent information. They are operating in a market that is defined in a completely different way. This isn’t good or bad. It simply is what it is. These new consumers don’t want or need cameras, they want digital communication devices that are also capable of producing digital images. They don’t want multiple devices. They want one that does it all. Cameras will never do that for them.
To survive and remain profitable camera and lens companies need to understand that they are in a mature camera market. The proof of that is in the CIPA data. It is time for camera companies to retrench and focus on core, profitable products as they wait for the next truly ‘breakthrough’ technology to hit the photography market and drive up demand again. How long could that take? Who knows – this most current breakthrough took quite a few decades to arrive.
What can we expect in the future?
Companies will need to change their marketing strategy and look for niche market opportunities in which to differentiate themselves. We have already seen some of that happening with companies like Nikon targeting the landscape and studio markets with high density full frame cameras like the 36MP D800 and its updates. Other companies like Sony are going in the opposite direction by reducing pixel density to improve low light performance. Companies like Fuji are developing proprietary sensor technology to try and differentiate themselves. Panasonic has been focusing on meeting the needs of hybrid shooters who need a camera that is equally adept at still photography as well as video – thus the continued development of the GH4. Panasonic is also focusing on high end bridge cameras like the FZ-200 with its unique f/2.8 constant aperture long telephoto zoom capability.
These signs are good as it shows that there are some glimmers of hope that manufacturers are making the strategic switches they need to make.
Much more has to happen though. Manufacturers need to stop introducing new model after new model that offer only slight, incremental changes to previous ones. This is simply wasteful and ultimately costs consumers money in terms of R&D and marketing dollars spent to market almost meaningless differences in new models.
Manufacturers need to listen to their customers more and stop introducing half-baked features in their cameras like the 4K video in the Nikon 1 J5 that can only shoot at 15fps. This is nonsense as the video is choppy looking if there is any movement with the main subject or if background elements like water have wind ripples on them. Manufacturers need to learn to stop putting new features on cameras that don’t really add any value for buyers. And, if nothing else they need to make sure those features actually work up to the expectations of customers.
Marketing decisions need to be much more carefully planned and executed. If we look at the CIPA data it looks like the ‘new normal’ will likely be demand levels that were common back in 2001 and 2002. Given these lower market demand levels, companies will need to be very concerned about the production volumes of individual models so they can sell a sufficient number of them to cover their fixed costs and generate some margin. I find it hard to believe that given where the camera market volumes are now that every camera model out there today is profitable. My guess is probably less than half of the models out in the market today generate a profit for the manufacturer. I have a feeling that ABC (activity based cost) accounting is sorely needed by many camera and lens manufacturers so they could intelligently cull their bloated product lines and get rid of money-losing products.
Camera companies need to make the switch to a niche market differentiation strategy and look for specific opportunities to target the needs of small, specific market segments and then try to own those segments. This means the manufacturers will need to listen to their customers more and be very strategic with their new product development.
There will be an increase in ‘behind the scenes’ manufacturing cooperation between various manufacturers. Even now many buyers of ‘big name’ lenses would be shocked to learn what company actually built the lens they paid ‘premium dollars’ to own. Of course in the bigger scheme of things it doesn’t matter anyway – as long as buyers get the performance they seek, the point of manufacture is a moot point. This is the essence of branding and premium pricing.
I think one of two things will happen – individual camera companies will reduce the number of camera models that are currently offering (which is the prudent and strategically sound thing to do), or some of the companies out there will eventually fail and disappear or be merged with other companies. Some analysts have been predicting that only Canon, Nikon and Sony have the volumes needed to survive. I think this is a bit simplistic. It will come down to which companies can manufacture niche market products in sufficient volume to cover their fixed costs, generate healthy margins and a profitable bottom line. If they’re smart some of the smaller competitors may be able to do this as well, or better, than the big boys.
I think we’ll see a lot more joint initiatives in terms of product development. We see this happening now with companies like Nikon and Tamron filing a joint patent on a new 200-500 lens. This makes sense to me as the cost to bring new products to market will keep escalating and companies will need to forge these kinds of alliances to be able to compete effectively. This phenomenon isn’t new. The automotive manufacturers have been doing joint ventures and alliances for decades. The size of the camera market simply cannot sustain the current number of makes and models. The key to survival will be focusing on building production volumes of fewer, more profitable models and walking away from unprofitable products. Shared production facilities could be a future reality.
Some companies like Nikon will need to assess whether it makes economic sense for them to continue to develop and market 3 major formats in terms of CX, DX and FX sensor models. As overall camera volumes decline I personally can’t see this being sustainable. Obviously no one knows the outcome. My best guess is that 5 or 10 years from now the DX line of bodies and lenses will likely disappear. I know this sounds bizarre, but from a marketing strategy perspective I think it could make sense.
As market volumes fall so does the purchasing power of the manufacturers vis-a-vis their component suppliers. At some point Nikon will need to decide where its best margin opportunities lie. As the baby boomers age they are looking for smaller and lighter gear so my take on it is that there is a lot more upstream potential for CX based product than DX. As a result I think Nikon will put the bulk of its R&D dollars into its CX and FX product lines and do two fundamental things that will allow them to exit the DX market. First, they will work hard to improve the image quality performance of the Nikon 1 product line so it can encroach on the bottom end of the DX market. Second, they will focus their energies on reducing the production cost of their FX cameras and bring their costs lower and lower. One way they can accomplish this is by ramping up sales of FX models, buy more full frame sensors and drive their manufacturing costs down. If they can get an entry level FX body (albeit with stripped down features) down to the $700 to $800 range over the next 5 to 10 years, and improve the image quality of the Nikon 1 line, they can make the DX product line redundant. Nikon has already been demonstrating its willingness to design and produce good quality FX lenses at much more market sensitive pricing with lenses like the 85mm f/1.8G, 50 f/1.8G, 28 f/1.8G etc. I see this pattern of lens development as a good sign that Nikon will be focusing on the FX product line a lot more in the future.
Other companies will face their own sets of tough decisions as they contract their production to focus on their most profitable products. Eventually I can see the day coming when only a couple of manufacturers may be offering a specific type of camera and are recognized in the market as the best for that specific application. Panasonic, for example, may end up positioning itself as the hybrid camera specialists with their GH4 product, and have a secondary focus on high end bridge cameras that feature constant aperture zooms. Fuji may eventually become recognized as the best small size format camera for landscape photography because of their proprietary sensor design. Once this type of specialization begins to happen I think the price of cameras will begin to rise and consumer choices will be more limited than they are today. These are just my musings of course and not based on any specific information.
So what can we do as consumers to take advantage of the fundamental change that is happening in the camera market, or at least not be burned by them? The first thing is to really be brutal with ourselves and question whether we really need that ‘new’ camera body. What does it really do that is so much better than what we already own? And, even if we can identify that – do we actually NEED that difference and are we really willing to pay for it? When we ask ourselves a tough question like that and when we’re honest with ourselves we’ll likely come to the decision that we don’t really need to spend the money. During periods of macro market decline like the one currently being experienced by the digital camera market we can expect a period of rapid model changes as companies scramble to try to achieve an advantage over their competitors, regardless of how small and how short-lived that advantage may be. Their near term goals will simply be to meet their sales and margin targets as best they can. Consumers need to be on guard against hastily conceived and produced products during these turbulent times.
If we do decide that it does make sense to buy that new camera body we should just wait and keep our powder dry for a while. That new body will be available a bit down the road at a discount, plus all of the ‘new model’ bugs should also be worked out. And, the reality is there will likely be yet another minor model tweak just around the corner anyway.
Make no mistake, many folks out there suffer from GAS (gear acquisition syndrome) and they’ll want to continually update their gear. That means that there will always be a lot of good, used gear on the market at decent prices that may help us upgrade affordably.
At the end of the day we need to remember a simple truth…it is the photographer behind the camera that creates the image. The camera is simply a tool to capture it. Having the latest and greatest camera won’t make you a better photographer – only your dedication to your craft and honing your skills will do that for you.
My intent is to keep this photography blog advertising free. If you enjoyed this article and/or my website and would like to make a modest $10 donation through PayPal to support my work it would be most appreciated. You can use the Donate button below. Larger donations can be made to firstname.lastname@example.org through PayPal.
You can also support my efforts when you purchase anything from B&H by using the Thomas Stirr affiliate link. Even the smallest purchases will help support this web site.
As a reminder to our Canadian readers, you can get a special 5% discount when ordering Tamron or Rokinon lenses and other products directly from the Amplis Store by using promotion code AMPLIS52018TS.
Article is Copyright Thomas Stirr. All rights reserved. No use, duplication or adaptation is permitted without permission